Traditional Jazz

Billie and DeDe Pierce

DeDe Pierce (1904–1973) · Billie Pierce (1907–1974)

Pianist Billie Pierce and trumpeter DeDe Pierce — married in 1935, together for life — carried traditional New Orleans jazz from Luthjen’s dance hall to Preservation Hall.

Billie and DeDe Pierce

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🎵 Signature Sound

Traditional jazz piano & cornet

🎬 Home Base

Luthjen’s Dance Hall (20+ years)

👑 Legacy

Preservation Hall pioneers

Married in 1935 and on stage together for the rest of their lives — recording for Riverside, Atlantic, and Preservation Hall’s own label.

Editorial

Why We Love Billie and DeDe Pierce

Billie and DeDe Pierce are the definition of devotion — to each other and to the music. DeDe, a Creole trumpeter trained by Kid Rena; Billie, a Florida piano prodigy who played behind Bessie Smith on the vaudeville circuit. They married in 1935 and never really left the bandstand: two decades anchoring Luthjen’s dance hall, then the front lines of the traditional-jazz revival at Preservation Hall. Even when a stroke sidelined Billie and glaucoma took DeDe’s sight, they kept playing — as a duo, as a couple, as living proof that New Orleans jazz isn’t a museum piece. It’s a marriage.

Four Decades at the Piano and the Horn

DeDe Pierce was born Joseph De Lacroix Pierce in New Orleans in 1904 into a musical Creole family, learning trumpet from Professor Paul Chaligny and Kid Rena before turning professional in the mid-1920s with Arnold DePass's band. Billie Pierce was born Wilhelmina Goodson in Marianna, Florida in 1907, the youngest of a family of piano-playing sisters, and cut her teeth on the vaudeville circuit around Pensacola before settling in New Orleans in 1930, where she played piano behind blues singers including Bessie Smith.

The two married in 1935 and performed together for the rest of their lives, anchoring the house band at the New Orleans dance hall Luthjen's for more than two decades alongside players like Alphonse Picou and “Big Eye” Louis Nelson Delille. Serious setbacks struck in the 1950s — a stroke left Billie temporarily paralyzed, and glaucoma cost DeDe his eyesight and his day job as a bricklayer — but the couple kept working as a duo, and as traditional jazz found new audiences in the years around the opening of Preservation Hall, Billie and DeDe became two of its most beloved figures, recording for Riverside, Atlantic, and Preservation Hall's own label before their deaths within a year of each other in 1973 and 1974.

“Strengthened by DeDe’s background with the marching bands and Billie’s vocals, which were influenced by her days with the blues singers.”

— Jazz historian Tom Stagg, on the Pierces’ sound

Discography

Essential Recordings

Blues and Tonks from the Delta1961
Vocal Blues and Cornet in the Classic Tradition1961
Jazz at Preservation Hall 21963
New Orleans' Billie & DeDe and Their Preservation Hall Jazz Band1966

Sources

Sources & Further Reading

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