Gospel · Hammond B-3 · Choir

Craig Adams & Higher Dimensions of Praise

Houston/New Orleans native Craig Adams — Hammond B-3 organist — A Jazz Fest Gospel Tent favorite

Craig Adams & Higher Dimensions of Praise is a New Orleans gospel group led by Hammond B-3 organist Craig Adams, a Houston/New Orleans native. With a dynamic choir of young and old voices and a propulsive band behind them, they’re one of the beloved fixtures of the Jazz Fest Gospel Tent — invited back year after year.

Craig Adams & Higher Dimensions of Praise

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Never heard Craig Adams before?

🎹 The Leader

Craig Adams — Hammond B-3

🙌 The Choir

Young & old, full harmonies

⛪ Home Stage

The Gospel Tent

Craig Adams put on a master class in spiritual enlightenment — the real standout was the backing choir.

— JamBase, Jazz Fest 2019

Editorial

Why We Love Craig Adams & Higher Dimensions of Praise

Every Jazz Fest has its rituals, and one of the best is ducking into the Gospel Tent to let Craig Adams raise the roof. Adams — who joined the Gospel Soul Children as a teenage organist in 1994 and now directs both that historic choir and his own group — builds his sets the old way: a slow simmer on the Hammond B-3, then the full choir lifting the tent clean off its stakes. It’s church, it’s showmanship, it’s the sound of a community singing to itself. When in doubt at Jazz Fest, go to the Gospel Tent — and if Craig Adams is on, stay.

When in Doubt, Go to the Gospel Tent

Craig Adams & Higher Dimensions of Praise is a dynamic gospel group — some sixteen voices strong — led by Houston/New Orleans native Craig Adams on keyboards and Hammond B-3 organ. Their natural home is the Gospel Tent at the New Orleans Jazz & Heritage Festival, where they are invited back year after year. Reviewing their 2019 set, JamBase described Adams opening with a slow build on his “heavenly Hammond B3” as his band and a twenty-person choir filled in behind him — then hopping up from the organ, grabbing the nearest mic, and shouting and sweating “with the fervor of a man possessed,” the propulsive rhythm section driving complex harmonies higher and higher.

Adams’s gospel roots run deep. He joined the Gospel Soul Children — once the largest community choir in the city, more than a hundred young people strong — as an organist in 1994, when he was about seventeen, and took over as director in 2014. The Soul Children first performed at Jazz Fest in 1972; their signature tune, “Can’t Stop Praising His Name,” famously froze the entire choir in place on the word “stop.” Higher Dimensions of Praise carries that same exuberant, full-throated tradition forward — young and old, male and female, lifting every song a little closer to heaven.

"Playing to a sparse but enthusiastic crowd in the Gospel Tent, Craig Adams put on a master class in spiritual enlightenment."

— JamBase, Jazz Fest 2019

If you’ve ever stood at Jazz Fest wondering where to head next, the old motto holds: when in doubt, go to the Gospel Tent. It’s real — they have church. And when Craig Adams & Higher Dimensions of Praise take the stage, it’s one of the most joyful hours of the entire festival.

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