Born Chris Thomas in Baton Rouge, the son of respected Louisiana bluesman and club owner Tabby Thomas, he was surrounded by music from childhood — taking up trumpet in sixth grade, then guitar, and soaking up everything he could hanging out at his father’s club, Tabby’s Blues Box. Young Thomas was shaped as much by Jimi Hendrix, soul, and early rap as by the blues; he didn’t settle on the blues until his late teens, when he toured Europe with his father and found audiences far larger and more enthusiastic than any back home. A demo tape landed him a deal with Arhoolie Records, and on his 1986 debut The Beginning he played every instrument himself.
After relocating to Austin and broadening his sound, he wrote and produced 21st Century Blues… From Da Hood (1994), a pioneering fusion of traditional blues and hip-hop — and only then added “King” to the name he’d recorded under as Chris Thomas. He kept exploring the seams between blues tradition and the present on Red Mud (1998), The Legend of Tommy Johnson, Act 1: Genesis 1900’s–1990’s (2001), and Rise (2006), written after Hurricane Katrina destroyed his home and recording studio; the Tommy Johnson and Rise albums both reached the Top 20 of Billboard’s blues chart.